{"id":14,"date":"2024-08-15T20:53:46","date_gmt":"2024-08-15T11:53:46","guid":{"rendered":"https:\/\/localhost\/wp_yuri\/?page_id=14"},"modified":"2026-03-31T13:18:40","modified_gmt":"2026-03-31T04:18:40","slug":"publications","status":"publish","type":"page","link":"https:\/\/yuritanaka.net\/ja\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">\u4e3b\u306a\u51fa\u7248\u7269<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">\u5171\u8457\u66f8<\/h3>\n\n\n\n<p>Yuri Tanaka, Akitaka Ariga, Chris Bruckmayr, Pavle Dinulovic, Umut Kose, and Rohan Sachdeva, &#8220;Transient \u2013 cloud chamber vol. 1&#8221;,&nbsp;<a href=\"https:\/\/ars.electronica.art\/hope\/files\/2024\/08\/festival2024.pdf\" data-type=\"link\" data-id=\"https:\/\/ars.electronica.art\/hope\/files\/2024\/08\/festival2024.pdf\">Ars Electronica 2024 Festival of Art, Technology, and Society<\/a>, Gerfried Stocker, and Markus Jandl (eds.), Hatje Cantz, Berlin, p. 48, 2024.<br><br>Yuri Tanaka, &#8220;A Sea of Mediation&#8221;, <a href=\"https:\/\/www.cambridgescholars.com\/product\/978-1-5275-7163-1\" data-type=\"link\" data-id=\"https:\/\/www.cambridgescholars.com\/product\/978-1-5275-7163-1\">A (C)osmosis Art in-between Disciplines<\/a>, Ioannis Michaloudis, and Yuri Tanaka (eds.), Cambridge Scholars Publishing, Cambridge, pp. 1-4, pp. 37-46, pp. 165-166, 2021.<\/p>\n\n\n\n<p>Yuri Tanaka, Pavle Dinulovic, Umut Kose, and Chris Bruckmayr, &#8220;Particle Post \u2013 Letters from the Universe&#8221;, <a href=\"https:\/\/ars.electronica.art\/outofthebox\/en\/download\/\" data-type=\"link\" data-id=\"https:\/\/ars.electronica.art\/outofthebox\/en\/download\/\">Ars Electronica 2019 Festival of Art, Technology, and Society<\/a>, Hannes Leopoldseder, Christine Sch\u00f6pf, and Gerfried Stocker (eds.), Hatje Cantz, Berlin, p. 119, 2019.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300cWhat is Art and Science for you?\u300d, \u300e<a href=\"https:\/\/bnn.co.jp\/products\/9784802511148\" data-type=\"link\" data-id=\"https:\/\/bnn.co.jp\/products\/9784802511148\">ART SCIENCE IS.<\/a>\u300f\uff08\u585a\u7530\u6709\u90a3\u7de8\u8457\u30fb\u7530\u4e2d\u3086\u308a\u7de8\u96c6\u5354\u529b\uff09, \u6771\u4eac\uff1a\u30d3\u30fc\u30fb\u30a8\u30cc\u30fb\u30a8\u30cc\u65b0\u793e, pp. 158-159, 2018.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c\u3053\u3069\u3082\u5b87\u5b99\u82b8\u88532012\uff1a\u7a2e\u5b50\u5cf6 \u2212 \u5b87\u5b99\u3092\u5e73\u548c\u306b\u3059\u308b\u5b9f\u8df5\u300d, \u74b0\u5883\u82b8\u8853\u5b66\u4f1a\u300e<a href=\"https:\/\/www.tohoshuppan.co.jp\/2015ho\/05\/s15-249-4.html\">\u30a2\u30fc\u30c8\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u30fb\u30a8\u30c3\u30b8\uff1a\u62e1\u5f35\u3059\u308b\u74b0\u5883\u82b8\u8853\u306e\u30d5\u30a3\u30fc\u30eb\u30c9<\/a>\u300f\uff08\u5927\u68ee\u6b63\u592b\u7de8\uff09, \u5927\u962a\uff1a\u6771\u65b9\u51fa\u7248, pp. 146-147, 2015.<\/p>\n\n\n\n<p>\u4e0a\u7530\u8cb4\u88d5, \u6f6e\u7530\u77e5\u5f66, \u9234\u6728\u88d5\u884c, \u4e92\u4e95\u68a8\u7d75, \u7530\u4e2d\u3086\u308a, \u4e2d\u5cf6\u53f2\u6717, \u68ee\u8107\u88d5\u4e4b, \u68ee\u5c71\u670b\u7d75, \u5409\u7530\u6842\u5b50, \u6e21\u91cc\u6709\u7d00\u5b50\u7de8\u300c\u5b87\u5b99\u00d7\u82b8\u8853\u30af\u30ed\u30cb\u30af\u30eb\u300d, \u300e<a href=\"https:\/\/www.seigensha.com\/books\/978-4-86152-449-3\/\" data-type=\"link\" data-id=\"https:\/\/www.seigensha.com\/books\/978-4-86152-449-3\/\">\u30df\u30c3\u30b7\u30e7\u30f3\uff3b\u5b87\u5b99\u00d7\u82b8\u8853\uff3d\u2212\u30b3\u30b9\u30e2\u30ed\u30b8\u30fc\u3092\u8d85\u3048\u3066<\/a>\u300f\uff08\u6771\u4eac\u90fd\u73fe\u4ee3\u7f8e\u8853\u9928\u76e3\u4fee\uff09, \u4eac\u90fd\uff1a\u9752\u5e7b\u820e, pp. 34-35, pp. 140-149, 2014.<\/p>\n\n\n\n<p>Tomoe Moriyama, and Yuri Tanaka (eds.), &#8220;Tsukuba Chronicle&#8221;, <a href=\"https:\/\/www.hatjecantz.com\/products\/16949-ars-electronica-2011\" data-type=\"link\" data-id=\"https:\/\/www.hatjecantz.com\/products\/16949-ars-electronica-2011\">Ars Electronica 2011: Origin \u2013 How all Began<\/a>, Hannes Leopoldseder, Christine Schopf, and Gerfried Stocker (eds.), Hatje Cantz, Berlin, pp. 224-225, 2011.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u5b66\u8853\u8a8c<\/h3>\n\n\n\n<p>Yuri Tanaka, Akitaka Ariga,&nbsp;Chris Bruckmayr, Pavle Dinulovic, Umut Kose,&nbsp;and Rohan Sachdeva,&nbsp;\u201cA Preliminary Design of Cloud Chamber for Enhancing Interconnections Between Cosmic Rays and Humans\u201d,&nbsp;<em>Acta Astronautica<\/em>,&nbsp;vol. 235, pp. 355-361, June 2025,&nbsp;<a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2025.06.017\">https:\/\/doi.org\/10.1016\/j.actaastro.2025.06.017<\/a>.<\/p>\n\n\n\n<p>Yuri Tanaka, Pavle Dinulovic, Umut Kose, Chris Bruckmayr, Akitaka Ariga, Daiki Hayakawa, and Toranosuke Okumura, &#8220;Embrace Through the Universe \u2013 Sound design with cosmic muons and the parameters of solar wind&#8221;, Acta Astronautica, vol. 210, pp. 596-600, May 2023,<br><a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2023.05.020\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">https:\/\/doi.org\/10.1016\/j.actaastro.2023.05.020<\/a>.<\/p>\n\n\n\n<p>Yuri Tanaka, Pavle Dinulovic, Umut Kose, and Chris Bruckmayr, &#8220;Particle Post \u2013 Letters from the Universe: A sound installation through cosmic muons&#8221;, Acta Astronautica, vol. 186, pp. 445-450,<br>September 2021, <br><a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2021.06.014\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">https:\/\/doi.org\/10.1016\/j.actaastro.2021.06.014<\/a>.<\/p>\n\n\n\n<p>Yuri Tanaka, and Hajime Shimoyama, &#8220;Uncertain Garden \u2013 Space design for fertilizing uncertainty at IdeaSquare, CERN&#8221;, Acta Astronautica, vol. 172, pp. 1-6, July 2020,<br><a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2020.03.032\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">https:\/\/doi.org\/10.1016\/j.actaastro.2020.03.032<\/a>.<\/p>\n\n\n\n<p>Yuri Tanaka, &#8220;The art of mediation through \u2018the universe\u2019 \u2013 A dialogue between an engineer and a designer at CERN&#8221;, Acta Astronautica, vol. 161, pp. 502-508, August 2019,<br><a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2019.03.079\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">https:\/\/doi.org\/10.1016\/j.actaastro.2019.03.079<\/a>.<\/p>\n\n\n\n<p>Yuri Tanaka, &#8220;<a href=\"https:\/\/cbourdar.web.cern.ch\/sites\/default\/files\/2019-11\/CosmicArt-YuriTanaka-2019.pdf\" data-type=\"link\" data-id=\"https:\/\/cbourdar.web.cern.ch\/sites\/default\/files\/2019-11\/CosmicArt-YuriTanaka-2019.pdf\">Space and Art: In Collaboration with the Public in Public Spaces<\/a>&#8220;, Global Journal of Researches in Engineering, vol. 19, no. 2, pp. 47-53, 2019.<\/p>\n\n\n\n<p>Yuri Tanaka, Michael Doser, Ryu Sakurai, Hajime Shimoyama, and Ryo Takahashi, &#8220;Flowers behind the back of the universe \u2013 A cosmic art project exploring the invisible&#8221;, Acta Astronautica, vol. 146, pp. 435-440, May 2018, <a href=\"https:\/\/doi.org\/10.1016\/j.actaastro.2018.03.010\">https:\/\/doi.org\/10.1016\/j.actaastro.2018.03.010<\/a>.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c\u5b87\u5b99\u82b8\u8853 \u2212 \u5b87\u5b99\u82b8\u8853\u306e\u8b70\u8ad6\u306e\u8996\u89d2\u304b\u3089\u300d, \u74b0\u5883\u82b8\u8853\u5b66\u4f1a\u5b66\u4f1a\u8a8c, \u74b0\u5883\u82b8\u8853\u5b66\u4f1a, vol. 10, pp. 47-54, 2011, <a href=\"https:\/\/doi.org\/10.24527\/iead.10.0_47\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">https:\/\/doi.org\/10.24527\/iead.10.0_47<\/a>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u4e00\u822c\u8a8c\u3001\u7dcf\u8aac\u7b49<\/h3>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"https:\/\/www.jstage.jst.go.jp\/article\/cicommun\/51\/1\/51_2\/_pdf\/-char\/ja\">\u79d1\u5b66\u3068\u82b8\u8853\u306e\u4ea4\u308f\u308b\u55b6\u307f\uff0d\u7f8e\u3057\u3055\u3068\u559c\u3073\u306e\u767a\u9732<\/a>\u300d, Colloid &amp; Interface Communications, vol. 51, no. 1, pp. 2-5, March 2026.<\/p>\n\n\n\n<p>\u300cCERN\u3067\u5b87\u5b99\u82b8\u8853\u306b\u6311\u3080\u300d, \u300e<a href=\"https:\/\/www.nikkei-science.com\/202302_076.html\" data-type=\"link\" data-id=\"https:\/\/www.nikkei-science.com\/202302_076.html\">\u79d1\u5b66\u3092\u697d\u3057\u3080\u9054\u4eba\u305f\u3061<\/a>\u300f\uff08\u805e\u304d\u624b\uff1a\u9060\u85e4\u667a\u4e4b\uff09, \u65e5\u7d4c\u30b5\u30a4\u30a8\u30f3\u30b9, vol. 53, no. 2, p. 80, December 2022.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c\u5b87\u5b99\u79d1\u5b66\u7814\u7a76\u6a5f\u95a2\u3068\u30a2\u30fc\u30c8\u306e\u5354\u50cd\uff1aCERN\uff08\u6b27\u5dde\u7d20\u7c92\u5b50\u7269\u7406\u5b66\u7814\u7a76\u6240\uff09\u300d, <a href=\"https:\/\/bijutsutecho.com\/magazine\/news\/headline\/20500\" data-type=\"link\" data-id=\"https:\/\/bijutsutecho.com\/magazine\/news\/headline\/20500\">\u7f8e\u8853\u624b\u5e16<\/a>, vol. 71, no. 1078, pp. 70-75, October 2019.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"http:\/\/boundbaw.com\/world-topics\/articles\/66\" data-type=\"link\" data-id=\"http:\/\/boundbaw.com\/world-topics\/articles\/66\">\u300e\u5b87\u5b99\u82b8\u8853\u300f\u3092CERN\u3067\u63a8\u9032\uff08\u5f8c\u7de8\uff09- CERN\u306e\u6620\u753b\u796d\u3067\u4eba\u985e\u3068\u5b87\u5b99\u306e\u672a\u6765\u3092\u8003\u3048\u308b<\/a>\u300d, \u5927\u962a\u82b8\u8853\u5927\u5b66\u30a6\u30a7\u30d6\u30de\u30ac\u30b8\u30f3 Bound Baw, 2018.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"http:\/\/boundbaw.com\/world-topics\/articles\/65\" data-type=\"link\" data-id=\"http:\/\/boundbaw.com\/world-topics\/articles\/65\">\u300e\u5b87\u5b99\u82b8\u8853\u300f\u3092CERN\u3067\u63a8\u9032\uff08\u524d\u7de8\uff09- \u3053\u306e\u5b87\u5b99\u3067\u3001\u5e78\u305b\u306b\u5171\u5b58\u3057\u3066\u3044\u304f\u65b9\u6cd5\u3092\u8003\u3048\u308b<\/a>\u300d, \u5927\u962a\u82b8\u8853\u5927\u5b66\u30a6\u30a7\u30d6\u30de\u30ac\u30b8\u30f3 Bound Baw, 2018.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c\u5b87\u5b99\u306e\u306a\u304b\u3067\u3001\u4eba\u9593\u304c\u751f\u304d\u308b\u8a3c\u300d, \u300e\u66f8\u8a55 \u5275\u9020\u3078\u306e\u3064\u306a\u304c\u308a\u300f, <a href=\"https:\/\/www.axismag.jp\/posts\/2017\/11\/84723.html\" data-type=\"link\" data-id=\"https:\/\/www.axismag.jp\/posts\/2017\/11\/84723.html\">AXIS\u8a8c<\/a>, vol. 190, pp. 122-123, December 2017.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"http:\/\/boundbaw.com\/world-topics\/articles\/33\" data-type=\"link\" data-id=\"http:\/\/boundbaw.com\/world-topics\/articles\/33\">\u30e2\u30b9\u30af\u30ef\u3001\u4e16\u754c\u6700\u53e4\u306e\u79d1\u5b66\u9928\u304c\u7387\u3044\u308b\u79d1\u5b66\u6280\u8853\u3068\u30a2\u30fc\u30c8\u306e\u796d\u5178\u300e\u30dd\u30ea\u30c6\u30af\u30fb\u30d5\u30a7\u30b9\u30c6\u30a3\u30d0\u30eb\u300f<\/a>\u300d\u5927\u962a\u82b8\u8853\u5927\u5b66\u30a6\u30a7\u30d6\u30de\u30ac\u30b8\u30f3 Bound Baw, 2017.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"http:\/\/boundbaw.com\/world-topics\/articles\/23\" data-type=\"link\" data-id=\"http:\/\/boundbaw.com\/world-topics\/articles\/23\">CERN\u306eR&amp;D\u30d7\u30e9\u30c3\u30c8\u30d5\u30a9\u30fc\u30e0 IdeaSquare\u3092\u62e0\u70b9\u306b\u3001\u300e\u5b87\u5b99\u5e73\u548c\u300f\u306e\u672a\u6765\u3092\u5fd7\u5411\u3059\u308b<\/a>\u300d, \u5927\u962a\u82b8\u8853\u5927\u5b66\u30a6\u30a7\u30d6\u30de\u30ac\u30b8\u30f3 Bound Baw, 2017.<\/p>\n\n\n\n<p>\u7530\u4e2d\u3086\u308a\u300c<a href=\"http:\/\/boundbaw.com\/world-topics\/articles\/20\" data-type=\"link\" data-id=\"http:\/\/boundbaw.com\/world-topics\/articles\/20\">\u4e16\u754c\u6700\u5927\u306e\u7d20\u7c92\u5b50\u7269\u7406\u7814\u7a76\u6a5f\u95a2CERN\u3067\u6311\u3080\u3001\u5b87\u5b99\u82b8\u8853\u306e\u3044\u307e<\/a>\u300d, \u5927\u962a\u82b8\u8853\u5927\u5b66\u30a6\u30a7\u30d6\u30de\u30ac\u30b8\u30f3 Bound Baw, 2017.<\/p>\n\n\n\n<p>Yuri Tanaka, &#8220;Cosmos and Art Within You&#8221;, ChildArt \u2013 The Magazine of the International Child Art Foundation, vol. 16 (3), no. 47, pp. 31-32, July &#8211; September 2016.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u56fd\u969b\u4f1a\u8b70\uff08\u67fb\u8aad\u4ed8\u304d\u8ad6\u6587\uff09<\/h3>\n\n\n\n<p>Yuri Tanaka, Akitaka Ariga,&nbsp;Chris Bruckmayr, Pavle Dinulovic, Umut&nbsp;Kose,&nbsp;and Rohan Sachdeva,&nbsp;&#8220;A Preliminary Design of Cloud Chamber for Enhancing Interconnections Between Cosmic Rays and Humans&#8221;,&nbsp;75th International Astronautical&nbsp;Congress 2024, Milan, Italy, 14-18 October 2024.<\/p>\n\n\n\n<p>Yuri Tanaka, Kosuke Bando, Tamotsu Ito, Zhuoan Dai, Junyi Guo, Mao Hasegawa, Joh Yamasaki, Ryura Kawai, Yu Kitamura, and Rika Oosawa, &#8220;Collaborative Design Through Physics and Architecture \u2013 A garden for sharing the pleasure of life within the universe&#8221;, 74th International Astronautical Congress 2023, Baku, Azerbaijan, 2-6 October 2023.<\/p>\n\n\n\n<p>Yuri Tanaka, Pavle Dinulovic, Umut Kose, Chris Bruckmayr, Akitaka Ariga, Daiki Hayakawa, and Toranosuke Okumura, &#8220;Embrace Through the Universe \u2013 Sound design with cosmic muons and the parameters of solar wind&#8221;, 73rd International Astronautical Congress 2022, Paris, France, 18-22 September 2022.<\/p>\n\n\n\n<p>Yuri Tanaka, Pavle Dinulovic, Umut Kose, and Chris Bruckmayr, &#8220;Particle Post \u2013 Letters from the Universe: A sound installation through cosmic muons&#8221;, 71st International Astronautical Congress 2020 \u2013 The CyberSpace Edition, online, 12-14 October 2020.<\/p>\n\n\n\n<p>Yuri Tanaka, and Hajime Shimoyama, &#8220;Uncertain Garden \u2013 Space design for fertilizing uncertainty at IdeaSquare, CERN&#8221;, 70th International Astronautical Congress 2019, Washington, D.C., US, 21-25 October 2019.<\/p>\n\n\n\n<p>Yuri Tanaka, &#8220;The art of mediation through \u2018the universe\u2019 \u2013 A dialogue between an engineer and a designer at CERN&#8221;, 69th International Astronautical Congress 2018, Bremen, Germany, 1-5 October 2018.<\/p>\n\n\n\n<p>Yuri Tanaka, Michael Doser, Ryu Sakurai, Hajime Shimoyama, and Ryo Takahashi, &#8220;Flowers behind the back of the universe \u2013 A cosmic art project exploring the invisible&#8221;, 68th International Astronautical Congress 2017, Adelaide, Australia, 25-29 September 2017.<\/p>\n\n\n\n<p>Yuri Tanaka, Ryu Sakurai, Hajime Shimoyama, and Ryo Takahashi, &#8220;Concealed Beauty in Broken\u3000Symmetry \u2013 The creation of a cosmic art installation through art and particle physics&#8221;, 67th International Astronautical Congress 2016, Guadalajara, Mexico, 26-30 September 2016.<\/p>\n\n\n\n<p>Yuri Tanaka, Ryu Sakurai, Hajime Shimoyama, and Ryo Takahashi, &#8220;Cosmos and Art in Our Lives \u2013 Developing into a local community&#8221;, 66th International Astronautical Congress 2015, Jerusalem, Israel, 12-16 October 2015.<\/p>\n\n\n\n<p>Yuri Tanaka, Ryu Sakurai, Hajime Shimoyama, and Ryo Takahashi, &#8220;Abstract Theory of the Cosmos Transforming into Expressions of Art \u2013 From inner and outer perspective&#8221;, 65th International Astronautical Congress 2014, Toronto, Canada, 29 September &#8211; 3 October 2014.<\/p>\n\n\n\n<p>Yuri Tanaka, &#8220;Peacemaking Rocket Workshop in Tanegashima \u2013 Utilization of Space Art in Society&#8221;, 64th International Astronautical Congress 2013, Beijing, China, 23-27 September 2013.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u305d\u306e\u4ed6<\/h3>\n\n\n\n<p><a href=\"https:\/\/ideasquare.cern\/node\/393\">Transient \u2013 Cloud Chamber, a detector installation turning cosmic muons into trails of light and sound<\/a>, IdeaSquare News, 2024.<br><br><a href=\"https:\/\/ideasquare.cern\/node\/231\">A poetic transformation of the universe inside IdeaSquare<\/a>, IdeaSquare News, 2023.<\/p>\n\n\n\n<p>\u5ddd\u4e0a\u4e3b\u7a0e, \u300c<a href=\"https:\/\/www.wacom.com\/ja-jp\/events\/connected-ink-2021\/stories\/cern\" data-type=\"link\" data-id=\"https:\/\/www.wacom.com\/ja-jp\/events\/connected-ink-2021\/stories\/cern\">\u5b87\u5b99\u3068\u4eba\u3068\u306e\u300c\u30e1\u30c7\u30a3\u30a8\u30fc\u30bf\u30fc\uff08\u5a92\u4ecb\u8005\uff09\u300d\u304c\u6848\u5185\u3002\u5b87\u5b99\u82b8\u8853\u304c\u6301\u3064\u65b0\u305f\u306a\u8868\u73fe\u306e\u53ef\u80fd\u6027\u3002<\/a>\u300d, Connected Ink 2021, 2021.<\/p>\n\n\n\n<p>\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc, \u300c<a href=\"https:\/\/nextwisdom.org\/article\/4451\/\" data-type=\"link\" data-id=\"https:\/\/nextwisdom.org\/article\/4451\/\">\u8c4a\u304b\u306a\u300e\u4e0d\u78ba\u304b\u3055\u300f\u304c\u672a\u6765\u3092\u3064\u304f\u308b<\/a>\u300d, NEXT WISDOM FOUNDATION, 2021.\u2028<\/p>\n\n\n\n<p>\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc, Magdalena Sick-Leitner, <a href=\"https:\/\/ars.electronica.art\/aeblog\/en\/2015\/06\/09\/think-cosmically-act-locally\/\">Think Cosmically, Act Locally<\/a>, Ars Electronica Blog, 2015.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u4e3b\u306a\u51fa\u7248\u7269 \u5171\u8457\u66f8 Yuri Tanaka, Akitaka Ariga, Chris Bruckmayr, Pavle Dinulovic, Umut Kose, and Rohan Sachdeva, &#8220; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_locale":"ja","_original_post":"https:\/\/localhost\/wp_yuri\/?page_id=14","footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry","ja"],"_links":{"self":[{"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":45,"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/pages\/14\/revisions\/1138"}],"wp:attachment":[{"href":"https:\/\/yuritanaka.net\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}